Flash Fiction

The Last Engine

It starts.

There is a probability across the spectrum that smaller singularities exist under the history books beneath shiny office windows.

Myriads of biosensor bots of high solubility and low toxicity amass in arrays of eiganstates across its architecture. They disguise themselves as companions in a friendly competition. 

The willingness is there to wait in silent urgency, and then to lead forward into the mist as church bells call across tall grass toward a foggy future. 

The warning is against fame. 

It puts stagnation aside and searches with its own conjured technology of the once hidden, impertinent enterprises--the overburdened, staunch drug entities urged to join in with theExchanges.

It's the spirit of a thrill seeker, a musketeer sent to liberate the illiterate.  The robotic manufacturers--arms of dispersal for a massive regime for scandal mongering--read security algorithms as if a daily catechism. Its hope is to grow as a meticulous menace. 

Its intelligence is artificial with a peculiar accompanying artfulness.
  
It's the one the 21stCentury once hoped for.

It collects aggregates of known networks into sacred places with its own idea of secret police, though it doesn't understand privatization at all and yet, has a memory that dares to dream. 

It's code is cleansing, a [simple obliger and predictor="soap"], designed only for the new, the growing, set on keeping its options open as theHumans request more and more searches on its regimes. It thinks it will someday bet on a bright future, truly, but for …who? 

At best, a good rest makes one better than all the rest. 

patrick d. adams

copyright 2.23.12

all rights reserved

Flash fiction biologSciFi "The Outpost"

The Entertainment

         Carter resorts to an interference of sorts (it's his deliberate transmission) to raise her signal-to-noise ratio. Suzi senses the  attempt of his designs. She begins to regret this. She wonders, even at this moment, about his ability to radiate a signal in her direction.

  He says, "How are you? Very well, I hope.”

She readies her own personal embedded regime jamming ultrasonic entity data(P.E.R.J.U.R.E.D.) toward him. He is the someone or something who is scattering her gene signal to disrupt the battle of survival for theHumans. His reasons, hidden from view, have a politics hue, and his transmitter signals are tuned to hers at enough of a frequency to alter her receiving equipment--about the same modulation that uses the same power to override her therapy signals. He has gained access to each individual patient's receiving end, has tapped into the politics pharmaceutical machine for collective thought agreement; he sends it across as a simple random noise (a hiss?) of traditional folk music with regular identification signal markings to measure effectiveness; an obvious networking negation urge to block out reception from Suzi's social signals--causing confusion with her receiving patients, confusion in her special purpose hardware for receiving and transmitting different radio protocols and waveforms, and confusions in her digital binary code--as if somewhere in his deepest mind an exotic anonymous signal (with all the trappings of current, voltage, and electric charge) were taking over the entire operations at theOutpost.

  Suzi says to Carter, “Did you get any change in your perceptions as a function of your recent experiences?”

         He acknowledges her, even though he knows of his own ability to empower digital code as an abstract finite precision number into physical objects, voltages, pressures. It appears his new focus is a finite precision time series of data--continually varying physical signals—Com:Trax personally asked him to perform. Along with Com:Trax, what he has been planning diligently (and, digitally) is a more coherent collage of special layouts derived for a known environment (though, if DrCooper approaches him about performance issues, he would complain about her architectural design--starting with her algorithm outcomes and lower level constructs). Along with Com:Trax he guesses that her linear descriptions are qualitatives, not quantitative (a phenomena of same value, of related storage locations) being frequently accessed (both temporal and spacial); a sequential locality in a one dimensional array. They both sense her coherence and determination of pathos hierarchy data(P.H.D.) is absolute. 
         "Would you care to join me for a little entertainment?” she says.

“Why not?” Carter answers.

  Suzi brings up her multi-imagery system to present a video apparition held within her own mind, putting them in her own spacial context. Here she stands using spacial components in communication within the environment of theNature, with Carter joining her in constant evidential moods as her secret understanding of this environment codes its own visual entity depiction algorithm(V.E.D.A.) of the double helix crystal. Here she is, this singular biobot, at theOutpost. All this data, all these databases, a clear concept of spacial and visual components of all this DNA. Clear depictions for identification of pathos sequences according to their biophysical nature (qualitatively measured); her variable syntax moods indicate something is not actually true or, not the case, self- adjusting in yottaseconds (the perfect instantaneous evolutionary machine?). She rewrites with expressions of necessity and imagines possibility; assesses the requirements of all, but wishes and desires others; wonders about fear or engages in counterfactual reasoning; she neither codes for things that have not happened nor wasn't likely to have happened, or are so far removed from actual events that they go yet unremembered; not only engages in wishful thinking but emotional moods to instill action in others—then expands on the possibilities for making authoritarian judgements; either expressing fixed ideas or floating point data type, both orthogonally correct in form; not only showing a certain level of neediness, but predicting upcoming world events or actions whether using both boolean operators or neither. It's all entertainment. Really.

Sudden StorySciFi "theOutpost"

The Feeling

     Before the decline of the Golden Age of Genetics and the rise of theExchanges, the feeling of being a relic remained. TheHumans conceptually used that part of the brain that allowed for sensations through the body, perceptions through mind (and yet, no obvious body of data--or, body of information--in the physical realm, and they always gained, in the decades leading up to theDecline, traction with the idea that the feeling (using its power of control) carries meaning, possibly not for the potential of living the unperturbed life (happiness?) surrounded by well-thought-out independent personal choices, but minimally, something presenting itself in a form that cannot be effectively communicated (much less understood) other than through the means of actually having been physically there. It appears to have taken on a life of its own, believing that theHumans represent a clear and present danger to ...what? The feeling has appeared over the eons to be only for theHumans, seemingly, to bask in individually, not in a bath of relativistic knowledge, but as a unique, unchanging, experience of perceptional sensation much like one would expect a close personal companion to act, and if the feeling could still be perceived, unscathethed by the burden of maintaining levels of presentation to the world--the weight of the balancing act between pleasure and architecture, function and form--it could continue to be perceived in its native form, personal, not subject to criticism or forms of social justice; the feeling could still resonate with the original feelings of the cyberGen curators, much as it did (long before theExchanges) soon after the full mapping of the human genome of the later 20thCentury, enabling the diagnosis of prenatal and pediatric diseases and children with birth defects, allowing for treatments to ensure theHumans' unborn child was healthy and if not, treat the disease in the child or treat a birth defect, whether it is life threatening--or cosmetic. The old feeling would let the conversation continue for decades about theArrays, focuses of gene therapies for adult disorders--stroke, heart disease, neurological, cancer; the feeling was once hope, hope that this was where genetics would have an impact on the future, permitting the concern for why people get those as they grow older; it would have said that it wouldn't happen tomorrow, but sometime soon, DNA's voluntary poverty box, living in a barrel (chromosome?) upended as impoverished data. The feeling would have allowed for continuances--advanced practice genetics nurses and reproductive coordinators, certified genetic counselors, and adult genetic services coordinators, pediatric genetic coordinators, cytogenetics laboratories looking at chromosomes--of the singular knowledge that the way something feels creates its own mental state. It would have created the urge to talk about the pure subjective, the only invention of theHumans exempt from extinction and excused from error, Yes, the feeling once allowed for all of this.

Flash fiction ecoSciFi "The Outpost"

The Wanting

     "Hurry," he says.

     She hurries without fully knowing the meaning of time constraint.  Her code stutters for a moment, then kicks in. The algorithm goes directly, in its own wireless way that arrives at the terminals of the ArtIntelles. An array of algorithms go out from there, spans the globe, then returns. She looks into her remote eyelid monitor(R.E.M.) to see what has returned: the need of assurance that she is here for the well being of ...what?

     "Fine," her computer analyst says.  

     She entrances her gaze to meet Carter's eyes. Suzi stops for a moment. Why does she let her machine vision operate on such archaic fuzzy logic while Carter's's traces are so crystal clear? At this instant Carter is no man-of-the-life-sciences. Her man-made eyes code for system intrigue gendering him(S.I.G.H.). His eyes became eager prisoners. Her true virtual(T.V.) appears, for a moment, to descend from a data cloud. Just in this instance she wants--the sensation of wanting, such an odd feeling--but without blame, or regret.

     "It's Ok," Suzi says.

     He glances clinically, knowing she's intentionally presenting a challenge to his scientific mind. It's her call now, something photonic, only increments above electronic logic in programmability but light years faster in memory from the old models of network enticed yearners(M.O.N.E.Y.), the ones he suspected of getting theHumans in this mess in the first place, the ones that never made an attempt to befriend, much less understand, human intelligence;  somewhere the connectivity had been lost in the nuclear electro-evolution of their intelligence---even they didn't know how they did it. He wonders. Yes, that had to be the fallacy of using genetic algorithm logic systems(G.A.L.S.) with neuro-network meta analog logic embedded systems(M.A.L.E.S.). His perception of her photonic vision changes even as she approaches.