Showing posts with label postmodernism. Show all posts
Showing posts with label postmodernism. Show all posts

Saturday, April 9, 2011

Flash fiction ecoSciFi "The Outpost"

The Realizers

     Suzi is one year old today, technically, a year-old history book. She has come far beyond the ancient Greek civilizations, becoming so interested in the promotion of self-interest, that Dr Cooper finds her subjective view at odds with the sacred scientific method of the later 19thCentury. When she arrived at theOutpost she appeared to have only one outside interest, images of utility(I.O.U.), as if an ancient artesian iconographer(A.I.), were built into her platform as image writer--according to tradition, the first iconographers of the ancient world painted images of a deity whose death marked the first day of ...what? She remain a firm believer in the use of patterns to gain wisdom. She'll always gain wisdom, but lately she's gained something more, a human trait beyond coding mosaics and murals, beyond the most recognizable (at least to them) of portable panels, the portraits, something to add more pizzaz to her informational processing devices, making her some uncontested behaviorally urged retroactive biobot(S.U.B.U.R.B.).  She is not prone to devotional objects and tends to broaden in a different, rational direction, as if she were an icon gradually becoming more realistic, evolving into a secular artist; her concern (in the area of decision-making) for risk, all gone; her uncertainty principles dissipated.
     "Suzi," Dr.Cooper says. "Happy birthday!"
     She accepts his greeting wholeheartedly (for a robot). She reviews her historical data algorithms and prepares their operations. She sees strength in icons, stylized figures, always a symbol for something, symbolism in its sharpest form, even able to represent the opposite of Darwinism, whatever that is (communism?). She should know--yes, icons always disregard the illusion of space and, are not always pretty, just devotional--they are never painted to be outwardly beautiful and, visually alone, they represent nothing. I am, she thinks, built just as well, instructional, contemplative,painted to inspire, to imitate; built to remember the virtues of spaceless bodies, to increase  love for the unknown and awaken intelligence from within. "I must, unlike that," Suzi thinks, "have been meant to be real."

Monday, April 4, 2011

Flash fiction ecoSciFi "The Outpost"

The Hunters
Viruses enter the programming extremely sharp, slicing, as if ninja knife arrays. They appear, in a way, as an excessively preoccupied entity delivered by the (externally motivated?) process of internalization. Their prestige self-sustains them; it becomes probable the future will hold the answer to any of their disordering functions--yes, they'll become more self-centered, nonlocal, bypassing the evolution of entire immune systems--as entities that go down in history marked as the true crossers of boundaries, traversing virtual land bridges. 
The Global DNA Initiatives were, in their own way, part of an archaic internet system monitored by later 20thCentury technology--old companies with infected, overloaded computer systems of (once thought) extinct data, information, once again monitored.  
Suzi codes her next algorithm, thinks of her next one, codes it too. She views the 21stCentury growth explosions, simply, as speed damage; she covers the viruses and hackers; she comes from a place of no sensitive temperaments (where the most data-intensive are the most loss-prone), a place of no praise, no external feedback loops, no entanglements of alleged poor behavior, no parental value, no emotion, nothing unpredictable, nothing unreliable--yes, a pure birth from nothingness. She is busy simply writing code against internet-instilled powers of disease with their own viruses to track. How can it make any difference that she doesn't care about either the finance systems of insurance industries or medical service providers? 

Monday, March 28, 2011

Sudden StorySciFi "theOutpost"

The Feeling

     Before the decline of the Golden Age of Genetics and the rise of theExchanges, the feeling of being a relic remained. TheHumans conceptually used that part of the brain that allowed for sensations through the body, perceptions through mind (and yet, no obvious body of data--or, body of information--in the physical realm, and they always gained, in the decades leading up to theDecline, traction with the idea that the feeling (using its power of control) carries meaning, possibly not for the potential of living the unperturbed life (happiness?) surrounded by well-thought-out independent personal choices, but minimally, something presenting itself in a form that cannot be effectively communicated (much less understood) other than through the means of actually having been physically there. It appears to have taken on a life of its own, believing that theHumans represent a clear and present danger to ...what? The feeling has appeared over the eons to be only for theHumans, seemingly, to bask in individually, not in a bath of relativistic knowledge, but as a unique, unchanging, experience of perceptional sensation much like one would expect a close personal companion to act, and if the feeling could still be perceived, unscathethed by the burden of maintaining levels of presentation to the world--the weight of the balancing act between pleasure and architecture, function and form--it could continue to be perceived in its native form, personal, not subject to criticism or forms of social justice; the feeling could still resonate with the original feelings of the cyberGen curators, much as it did (long before theExchanges) soon after the full mapping of the human genome of the later 20thCentury, enabling the diagnosis of prenatal and pediatric diseases and children with birth defects, allowing for treatments to ensure theHumans' unborn child was healthy and if not, treat the disease in the child or treat a birth defect, whether it is life threatening--or cosmetic. The old feeling would let the conversation continue for decades about theArrays, focuses of gene therapies for adult disorders--stroke, heart disease, neurological, cancer; the feeling was once hope, hope that this was where genetics would have an impact on the future, permitting the concern for why people get those as they grow older; it would have said that it wouldn't happen tomorrow, but sometime soon, DNA's voluntary poverty box, living in a barrel (chromosome?) upended as impoverished data. The feeling would have allowed for continuances--advanced practice genetics nurses and reproductive coordinators, certified genetic counselors, and adult genetic services coordinators, pediatric genetic coordinators, cytogenetics laboratories looking at chromosomes--of the singular knowledge that the way something feels creates its own mental state. It would have created the urge to talk about the pure subjective, the only invention of theHumans exempt from extinction and excused from error, Yes, the feeling once allowed for all of this.